“-check the warding,” he finishes, his voice dropping to a hush instinctively. Cas, the baby, that tiny smile breaking up the exhaustion on Cas’ face, the way everything just seems warmer. He’s not even over the threshold when it hits him, his voice dying in his throat, because it looks like- Christmas morning. “Cas, c’mon, I know you don’t wanna but we gotta-” “This is stupid,” snaps Dean, and stomps back to the living room, because maybe he can’t kill the thing, but he can at least get Cas outta here before the baby daddy comes knocking. Not a hint of the devil in sight.Īside from, y’know, the antichrist swaddled up in Cas’ arms.īut what’s Dean gonna do, seriously? Hold a gun to a baby’s temple? Pull the trigger? Is that who he is now? It says something that the instinct hasn’t completely left him, that he still has a whispered argument with Sam about it in the house’s kitchen, Sam playing devil’s advocate and not appreciating that joke at all. His palms are itching, but it all looks kosher. He sends a cursory glance over his shoulder, eyes roaming over Baby gleaming in the moonlight, looking for headlights on the road. Dean finally gets his legs moving, and follows Sam in. Cas’ face twitches in answer, his jaw wobbles as he glances down at the baby’s head. “I’m fine,” says Cas, who is very obviously not fine. Dean half makes to glare, but his eyes get caught on the kid’s chest rising and falling with Cas’, mimicking him, and it all falls away. It’s not like he grew a second head, so Dean thinks he should probably be offended at the looks he gets, the double blink Sam shoots his way. A joke about the kid taking its hair-styling advice from Sam circa eighth-grade starts building itself up somewhere inside of Dean, but what actually comes out is: “Are you alright?” The tuft of hair on its head is still gooey with placenta. A newborn, all bright red and wrinkly and nestled against the warmth of Cas’ chest, his shirt unbuttoned to make space for it. Of course there’s a kid, Dean knew there was gonna be a kid, but it’s like-a baby. He looks like he’s about to collapse, and he didn’t even do the hard part. “How did you find me?” asks Cas, looking like a hundred other people Dean’s seen milling about various hospitals, this particular blend of I don’t know what the fuck I’m doing and please, please God, just let me spend a couple’a hours passed out in this plastic chair written into every inch of him. For all their planning and conspiring, it’s not until Dean’s actually at the house that the reality of the situation hits him, and he thinks to himself: Jesus Christ, I was gonna pop a cap in a baby.
HUSHARU MOVIE
Gannguli-composed Muskurane garnered him most nominations from the year, while he received two Filmfare nominations for Suno Na Sangemarmar and the Sufi song Mast Magan He has also recorded a Gujarati track, Satrangi Re from the movie Wrong Side Raju. During the year, he sang "Humdard", " Manwa Laage", " Sun Le Zara", " Sajde", two songs of Zid and three tracks of Holiday, to name a few. The year marks his first collaboration with Vishal Bhardwaj, Tony Kakkar, Palak Muchhal, A. He rendered three re-mixed songs Amit Trivedi's "Hungama Ho Gaya", Sharib–Toshi's " Samjhawan" and Arko Pravo Mukherjee's "Aaj Phir". In 2014, Singh worked with Sajid–Wajid for the first time, performing two tracks of Main Tera Hero and the song " Raat Bhar". Apart from rendering the duet version of " Har Kisi Ko", the year marks his first collaboration with Sharib– Toshi and Sanjay Leela Bhansali by singing the song " Kabhi Jo Baadal Barse" for the former and the semi-classical number, " Laal Ishq" for the latter. Moreover, he dubbed for Shah Rukh Khan in the song "Kashmir Main Tu Kanyakumari" which was composed by Vishal–Shekhar. The duo collaborated with Shahid Kapoor, performing " Main Rang Sharbaton Ka" and " Dhokha Dhadi". He further allied with Pritam, singing three tracks for Yeh Jawaani Hai Deewani. He worked with Jeet Gannguli for the rest of his tracks in the album. The song fetched him several awards and nominations including his first Filmfare Awards. Singh rose to widespread prominence with the release of the song " Tum Hi Ho" from Aashiqui 2 (2013). He also lent his voice for Chirantan Bhatt in 1920: Evil Returns and for Vishal–Shekhar in Shanghai, where the song " Duaa" from the latter fetched him Mirchi Music Award for Upcoming Male Playback Singer award and was nominated in the same category for " Phir Le Aya Dil" from Barfi!.
He rendered four versions of the song " Raabta" in Agent Vinod. The following year, he worked with Pritam for four of his films. Arijit Singh during the recording of his song.Īrijit Singh made his Bollywood debut with Mithoon-composition, "Phir Mohabbat" from Murder 2, which was recorded in 2009 though released in 2011.